{"id":70468,"date":"2026-04-27T18:50:16","date_gmt":"2026-04-27T16:50:16","guid":{"rendered":"https:\/\/ruthfranco.com\/analorena-perezrios\/"},"modified":"2026-04-27T19:12:42","modified_gmt":"2026-04-27T17:12:42","slug":"analorena-perezrios","status":"publish","type":"page","link":"https:\/\/ruthfranco.com\/en\/analorena-perezrios\/","title":{"rendered":"Analorena Perezr\u00edos"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Analorena\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Analorena Perezr\u00edos<\/h2>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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INFORMATION<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ana Lorena served for six years as resident director of OCESA Teatro’s chamber works. During that time, she directed more than eleven works, including <\/span>\u00a0<\/b>BESAME MUCHO, MONOLOGOS DE LA VAGINA,<\/span><\/i> among others. From 2011 to 2018, she has directed around seven melodramas for open television, among which the soap operas <\/span>PARA VOLVER A AMAR<\/i><\/b>, <\/span><\/i>UN REFUGIO PARA EL AMOR<\/i><\/b>, <\/span><\/i>AMOR DE BARRIO<\/i><\/b> and<\/span> SIN TU MIRADA<\/i><\/b> stand out. . Regarding the series, she directed <\/span>EL MANUAL<\/i><\/b>, <\/span><\/i>C\u00c1SATE CONMIGO<\/i><\/b> and in 2016 he co-directed, together with Francisco Franco, the adaptation of the Spanish series <\/span>EL GRAN HOTEL<\/i><\/b> retitled in Mexico <\/span>EL HOTEL DE LOS SECRETOS<\/i><\/b>.<\/span><\/i> Finally, Analo directed again for open television, the series <\/span>SIN RASTRO DE TI <\/i><\/b>\u00a0<\/span><\/i>and<\/span> MEDICOS.<\/i><\/b><\/p>\n

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As part of his creative process abroad, she also took the executive program \u201cScriptwriting for Television\u201d at the Showrunners Barcelona hub where throughout this last year, wrote her first series <\/span>CODIGO DE IDENTIDAD.<\/i><\/b> In 2020 she directed the series <\/span>NO FUE MI CULPA<\/i><\/b>, a fiction about femicides for the Disney Plus platform, with the production company BFT media. In 2022 she participated in the new season of <\/span>MUJERES ASESINAS<\/i><\/b> where she directed two episodes for the VIX platform,\u00a0 Analorena <\/span>co-directed both seasons of the series <\/span>LALOLA<\/i><\/b> for the VIX+ platform, which premiered in 2024. At the end of that year, she co-directed <\/span>COMO AGUA PARA CHOCOLATE<\/i><\/b>\u00a0 <\/b>for MAX. During the second half of 2024, she completed filming a series for the production company Atenea Media, in co-production with Argos Media.\u00a0<\/span><\/p>\n

He directs a series for Netflix, set to be released soon; in 2025 he premieres his first feature film <\/span>The Cell of Miracles<\/i><\/b>,<\/b> starring Omar Chaparro. He is currently directing the series <\/span>Carlota<\/i><\/b>, which will star the well-known actress and singer Belinda.<\/span><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\u201cEL HOTEL DE LOS SECRETOS\u201d.<\/strong>
\n– Best Director at the ACE Awards<\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LA CELDA DE LOS MILAGROS | TRAILER<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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LALOLA | TRAILER<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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COMO AGUA PARA CHOCOLATE | TRAILER<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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POSTERS<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Cartel
Cartel La Celda de los milagros <\/figcaption><\/figure><\/div>
\"Cartel
Cartel LaLola<\/figcaption><\/figure><\/div>
\"Cartel
Cartel Como agua para chocolate<\/figcaption><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Analorena Perezr\u00edos Instagram IMDb INFORMATION BIOGRAPHY Ana Lorena served for six years as resident director of OCESA Teatro’s…<\/p>\n","protected":false},"author":1,"featured_media":70449,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[98],"tags":[],"class_list":["post-70468","page","type-page","status-publish","has-post-thumbnail","hentry","category-directors-and-scriptwriters"],"acf":[],"_links":{"self":[{"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/pages\/70468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/comments?post=70468"}],"version-history":[{"count":2,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/pages\/70468\/revisions"}],"predecessor-version":[{"id":70470,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/pages\/70468\/revisions\/70470"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/media\/70449"}],"wp:attachment":[{"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/media?parent=70468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/categories?post=70468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ruthfranco.com\/en\/wp-json\/wp\/v2\/tags?post=70468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}